In Between

march 5, 2026 - 19:00

Tim Crawford – violin
Catherina Lee – violin
Michel Camille – viola
Pau Codina Masferrer – cello
David Daniel Dinu – oboe
Ron Chen-Zion – clarinet
Kerstin Thiele – flute
Samuel Rouleau – bassoon
Christian Martínez – percussion
Valdemar Wenzel Most – piano
Joke Wijma – horn

Welcome to the sonic universe of contrasts!

Classical music comes alive both at the piano and on the musical saw. We cross the boundaries of the ordinary through experiment, as sound becomes thought and reason imposes its order.
Not for long, though. Gradually, we rediscover the balance between strength and delicacy through Schumann’s lucid Romanticism.
Between vibration and silence, art and mind mirror each other’s forms.

Per Nørgård (1932–2025): From “Three Scenes” for solo percussion:
II. Tempo Giusto. Espressione e rubato largamente – for musical saw (2009)

Carl Nielsen (1865–1931): Chaconne for piano (1917)

Igor Stravinsky (1882–1971): Excerpts from Suite Pulcinella (1921)

Per Nørgård (1932–2025): The gentle, the penetrating from the suite I CHING for solo percussion (1982)

Robert Schumann (1810–1856): Piano Quintet in E-flat major, Op. 44 (1842)

By purchasing tickets, participants give their consent for the use of photographic images and audio/video recordings for the purpose of promoting the project’s activities by the organisers and partners.